My latest interview at the HotPixel blog actually posted last week, but I never posted it here, and figured I should remedy that! I did an interview with the newest member of the HotPixel team – the brilliant, illustrious (and super-sweet) colorist, Anthony Harris, who’s worked on films like Spider-Man, Life of Pi, and of course, THE MOST IMPORTANT ONE, Starship Troopers. 🙂 In this interview, he discusses his amazing career, as well as what independent filmmakers need to know about hiring a colorist.
“[In] big studios, a lot of the legwork was done before it got to me,” he explains. “So, I’m enjoying being in a situation where there are clients who may not have been doing it for twenty years, or who may not be working for a studio where everything is provided and there’s a person hired to do every single little thing. It’s exciting, because it keeps me on top of my game! I have to know what I’m talking about to be able to help a client, so ultimately that helps me. I think that when you work for a big studio, and you come into the office, and everything’s on your desk and ready to go, and you do your job and walk away, and someone else takes it from there, you can kind of get too comfortable.
“So, the one thing I’ve learned in the time I’ve worked for HotPixel is that, no, you need to know it all. From when the client brings the drive in – and I know this sounds ridiculous – where do you plug it in? [laughs] Where does it go? How do you conform? What are your steps from getting it in to getting it out? And being able to do it all myself, I’ve learned so much in the last month. It’s a very big confidence builder. Anything that you do [in the film industry], it’s a craft, and if you really enjoy your craft, you want to know it all, regardless of whether you need to use those skills every day, you want to be able to know what you’re doing. And that’s what I enjoy most about working with everyone here.”
This desire to learn more and be on top of his game was evident even when he was just starting out. At Sony Pictures, he started out in the model shop. Quickly realizing that the model shop was not where he wanted to be, he expressed this to friends he had at Sony Imageworks, and was hired there as a PA. The first film on which he worked? The cult classic sci-fi film, Starship Troopers.
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